Onward
and Upward
Jim moved to Virginia Beach to start playing with
a group of musicians
that he thought was promising. Marty and I put
a band together called
Passenger. I actually played with this
band for about 7-8 years.
The band was a revolving door for a lot of musicians
over the years,
but finally settled with the line up of: Benny
Wilson/lead vocals and
harmonica, Don Gorman/guitar, K.D. Forsha/keyboards,
Terry
Baker/drums, and yours truly/bass and lead vocals.
I played with this
band through college and beyond, playing concerts
and in clubs all
over the southeast. Marty had gone off to do
sound for the
Whitford-St. Holmes Band.
And then one day I got “the call.” Jim was calling
from Atlanta;
the band from Virginia Beach, now called Avatar,
had gotten a
production deal and they wanted me to move to
Atlanta to be the
bass player. I quit my job as a social counselor
at the Dept. of
Human Services, gave my notice to the guys in
Passenger,
packed
up the family and moved to “Hot-Lanta,” where
I was being paid a
whopping $200 a week to rehearse, write songs
and go in search of
that elusive record deal.
We Went
Through How Much Money?!!!
After about six months of writing, rehearsing,
and playing with an
extremely talented and progressive band, the
inevitable happened –
the money was gone! With no work to sustain us
and no recording
contract, the only choice I had was to move back
to Tennessee and
try to regain my gig with Passenger. Thankfully,
the guys welcomed
me with open arms, and I was back playing the
club circuit.
Funny how the years seem to creep by when you
are playing 4-5 sets
a night, 5-6 days a week! On the upside, my chops
were good and I
was doing what I wanted to do. Besides, I really
liked playing with
these guys. They are all very talented and it
was really a good band!
We remain friends to this day and the band remains
intact with the
exception of myself.
When
You Least Expect It
Sometime in ‘78, Marty resurfaced, fresh off a
tour with the
Whitford-St. Holmes Band with a couple
of new songs that he had
written and a pocket full of money. The next
few weeks found Marty,
Terry Baker, and myself in the studio recording
what I later realized
was my big break! – a song called “Cold
Hearted Woman.” After
the recording sessions, I went back to playing
clubs, and Marty, with
tapes in hand, went off to Atlanta to seek his
fortune.
A few months later, Marty called and was coming
through the phone
he was so excited! A friend of his had entered
“Cold
Hearted
Woman” in a contest sponsored by
WKLS, 96 Rock in Atlanta,
and it had been chosen to be the first song on
side "A" of the
Hot-Lanta Home Cookin Album. “We
need a name for the band,”
Marty said. I told him I didn’t really
care what he called the band and
left it up to him. Marty came up with the name
QB1.
All of the ten
bands that had gotten a song on the album were
expected to do a
showcase gig. Marty kept calling telling me how
popular the song was
becoming, getting lots of airplay and becoming
a regional hit! Being
350 miles away, it was hard to share his enthusiasm.
Our showcase gig date was set. We would
rehearse for a week and
do the show. On a warm summer night in the summer
of 1979, Terry
Baker and I loaded up my 1964 Chevy Van and headed
to Atlanta.
It was 5 AM in the morning and we were about
50 miles outside
Atlanta, cruising along listening to the radio,
when all of a sudden,
there it was! – “Cold Hearted Woman.”
It was ME singing on the
radio! I can’t tell you how exciting it was to
hear yourself on the radio
for the first time!
The week was a blur – rehearsing, writing and
getting ready for the
BIG SHOW at the Agora Ballroom. (Incidentally,
this is the first
venue that Kansas ever played in Atlanta.
At the time, it was called
Alex Cooley’s Electric Ballroom.) When
we weren’t rehearsing
we were listening to 96 Rock. We must have heard
“Cold
Hearted
Woman” 20 times that week! It was
finally starting to sink in to me
what Marty had been trying to convey over the
phone. We had a
mini-hit on our hands!
The big day finally came. We showed up at the
venue, did our sound
check and hung out in the dressing room until
show time. The venue
kept filling up until it was completely packed!
We were announced,
we walked onstage and before we had played a
note, the crowd went
crazy! There’s no way I can put into words the
feeling that you get
when you walk onto a stage and get that kind
of reception. It remains
one of the most gratifying moments of my whole
career.
“This must be it,” I remember thinking. But after
a year or more of
agonizing refusals from every major label in
the country, QB1 was on
the verge of breakup. I was on the verge of packing
up the van, going
back to Tennessee and rethinking my future, when
Steve Walsh
approached me after one of the many showcase
gigs that we played
at the Agora. It seems he had quit Kansas
and was putting together
his own band. He asked me if I would be interested
in auditioning for
the bass-playing gig. I thought about that for
about a millisecond and
told him that I was. A day and time were set.
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